<em>The Good Boss</em>

The Good Boss

The Good Boss | El buen patrón

Whānau Mārama: New Zealand International Film Festival 2022
  • Sat 13 Aug 2022
  • 6:15—8:15PM
  • Len Lye Cinema
  • Rating: M
  • In line with current New Zealand restrictions for cinemas, conditions of entry to all Cinema screenings under the Covid-19 Protection Framework are:
  • o Face coverings to be worn
  • Booking recommended
  • As there is no allocated seating doors open 15 minutes before screenings, please come early to avoid disappointment
  • To minimise disruption no admittance to cinema 10 minutes after session starts
  • Hearing loop provided for the hearing impaired
  • Wheelchair spaces available. Free entry for a companion to assist an audience member who has a disability. Companion seat is automatically allocated when a wheelchair space is booked
  • A Coded Sessions
  • Sessions starting after 5.00 pm weekdays, all weekend sessions
  • (unless otherwise indicated)
  • Full Price: $17.50
  • Film Society/Film Industry Guilds/Community Services Card/Students: $15.00
  • Senior (65+)/Child (15 and under) $13.00
  • B Coded Sessions
  • Sessions starting before 5.00 pm weekdays or of a shorter duration and others as indicated.
  • Full Price: $14.50
  • Film Society/Film Industry Guilds/Community Services Card/Students: $13.00
  • Senior (65+)/Child (15 and under) $13.00

Javier Bardem, renowned for his memorable portrayals of villains in No Country for Old Men and Skyfall, adds another sinisterly charming, immoral character to his repertoire as the titular “good boss” in this dark Spanish satire which bagged all the top awards at the 2022 Goyas (the Spanish Oscars).
“It’s a comedy, but no laughing matter. It’s the blackest of satires – the kind in which a smiling face hides a monstrous heart.” — Paul Byrnes, Sydney Morning Herald

Benevolent patriarch Julio Blanco, CEO of a family company manufacturing precision industrial scales, is determined to win a prestigious business award. In a few days’ time, the national committee deciding the award outcome will come to inspect the premises. Everything must be perfect – Julio, risking his own sanity, will ensure that it is, no matter who he must seduce and destroy.

“‘Don’t treat me like a boss,’ Blanco keeps telling people with a thin gray smile. You shudder to think how fast it would vanish if you did anything but. We first encounter him giving a smarmy pep talk to the employees at his company… All smiles and handshakes and repeated mentions of community, it’s a performance for the benefit of a local journalist, visiting to big-up the factory in a commissioned puff piece…

Once the visitors are gone, however… a little harsh housekeeping. Among various downsizing measures, longtime employee Jose is summarily dismissed, and doesn’t take it well… Within factory walls, meanwhile, everything is far from hunky-dory. Blanco’s right-hand man, Miralles, is distracted by marital woes and flailing professionally – a weakness his boss isn’t above exploiting for the good of the company… Blanco’s own marriage to world-weary fashion boutique owner Adela hasn’t been sacred for years… With each chaotic plot turn of [this] anti-corporate comedy, it becomes clearer that Blanco is the blandest possible incarnation of pure evil: a man with nary a principle, much less a personality, to his name.” — Guy Lodge, Variety

2021 | Drama/Satire | 119 min | Dir. Fernando León de Aranoa | In Spanish with English subtitles

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