Emanations: The Art of the Cameraless Photograph is the first comprehensive survey of cameraless photography held anywhere in the world, presenting more than 200 examples, from 1839 – when photography’s invention was announced – through to contemporary artists.
We present the most complete study of cameraless photography to date, focusing on the cameraless mode from the 1830s through to today and offering a global perspective on this way of working.
The theme of the exhibition is inspired by artist Len Lye’s cameraless photographs from 1930 and 1947, and it’s the first time all 52 of Lye’s photograms have been seen together. Emanations is an opportunity to put Lye’s photographic work in a suitably global context, surrounded by his predecessors, contemporaries and successors.
Emanations includes many masterpieces of photographic art and showcases the talents of some of the world’s leading contemporary photographic artists.
The exhibition has work by photographic pioneers William Henry Fox Talbot and Anna Atkins, important modernist photographers Man Ray and László Moholy-Nagy, and many of today’s most significant photographic artists including Walead Beshty, Marco Breuer, Liz Deschenes, Joan Fontcuberta, Christian Marclay, Thomas Ruff, and Hiroshi Sugimoto.
Emanations also includes work by both senior and emerging Australian and New Zealand artists, from Anne Noble and Anne Ferran to Andrew Beck and Justine Varga.
The exhibition presents artwork by more than 50 artists hailing from New Zealand, Australia, Japan, Poland, Czechoslovakia, Hungary, France, Germany, Italy, England, Canada and the United States.
Almost every photographic process is included in the exhibition – photogenic drawings, calotypes, daguerreotypes, and tintypes, as well as gelatin silver, chromogenic and ink-jet photographic prints, photocopies, verifax and thermal prints.
The exhibition is accompanied by a major book by the same name and on the same theme, co-published by the Govett-Brewster Art Gallery and DelMonico Books/Prestel, based in New York and Munich. The book contains 184 full-page colour plates and a 25,000 word essay by Geoffrey Batchen. The Govett-Brewster is also publishing another book reproducing all the cameraless photographs by Len Lye, along with an essay by Wystan Curnow.
Emanations is curated by Geoffrey Batchen, Professor of Art History at Victoria University of Wellington, and a world-renowned historian and curator of photography.