Fiona Pardington <em>Portrait of a life-cast of Tou Taloa, Samoa</em> 2010. Courtesy of the artist, Two Rooms Gallery, Auckland and the Musée de l’Homme, Paris.

Fiona Pardington Portrait of a life-cast of Tou Taloa, Samoa 2010. Courtesy of the artist, Two Rooms Gallery, Auckland and the Musée de l’Homme, Paris.

Exhibition

11 Jun — 28 Aug 2011

Fiona Pardington: The Pressure of Sunlight Falling

Fiona Pardington’s The pressure of sunlight falling is a series of photographs that depict life casts made by medical scientist and phrenologist Pierre Dumoutier during one of French explorer Jules Dumont d’Urville’s South Pacific voyages from 1837-1840.

Fiona Pardington (Ngāi Tahu, Ngāti Mamoe, Ngāti Waewae, Clan Cameron) considers the ways in which photography of objects, and the proto-photographic medium of casting, register empathy and the presence of former lives.

Curated by Rhana Devenport

Fiona Pardington: The Pressure of Sunlight Falling
Audio Opening Weekend Panel Discussion

The writers of Fiona Pardington: The Pressure of Sunlight Falling publication. Book editors Elizabeth Rankin and Kriselle Baker, with writer Ross Calman and book designer Neil Pardington give a talk chaired by Govett-Brewster Director Rhana Devenport. Recorded on 11 June 2011

This exhibition explores the meanings, histories and functions of nineteenth-century life casts, while examining the unique power of photographic portraiture, bringing together the psychoanalytical, philosophical and metaphysical threads of Pardington’s practice.

The portraits engage with Dumoutier’s plaster positives of individuals from the Solomon Islands to Papua New Guinea, from East Timor to Aotearoa. Dumoutier himself was the subject of his own life-casting and is in turn re-cast in Pardington’s series in a complex circuitry of re-presentation.

Nineteenth-century European enlightenment ideas about inquiry, medical research, phrenology and other anatomical and scientific endeavours complicate the viewing of these works against a background of colonial ambition. Pardington brings a twenty-first-century perspective to these nineteenth-century modes of inquiry.

A photographer of international standing, Pardington (b. 1961, lives and works on Waiheke Island) has exhibited widely in Australasia and Europe. A selection from this series was included in the 2010 Biennale of Sydney. The associated book, Fiona Pardington: The Pressure of Sunlight Falling, is edited by Kriselle Baker and Elizabeth Rankin, and is published by Otago University Press in association with Govett-Brewster and Two Rooms Gallery.