First of the Govett-Brewster’s STATEMENTS series of commissioned essays, this book and the exhibition it accompanies, survey the seascape of historical and contemporary filmmaking across genres.

'A farm overrun with enormous abstract sculpture. Galleries showing some of the Asia Pacific’s most exciting and irreverent new work. The weather isn’t always great to the east, but the art is.' – Broadsheet Melbourne

Auckland Council's public art boss wants more "controversial" works throughout the city on the back of Michael Parekowhai's polarising $1.5 million 'Lighthouse' installation on Queens Wharf. Meanwhile, a $2m to $5m Len Lye installation has been labelled "completely within the ...

In this Ocula article, Sriwhana Spong speaks with the curator of her show at the Govett-Brewster, Tendai John Mutambu, about working across film, painting, performance and sculpture to consider the relationship between the body, language and sound, as inspired by ...

She’s not even 30 but already Taranaki curator Kararaina Te Ira has brought new meaning to contemporary New Zealand art with her exhibition at the Govett-Brewster Art Gallery.

It appears it’s not just the cover a book is judged on as the judges announce the finalists in the 2018 PANZ Book Design Awards. The weight of stock, the binding and the smell of the entries all came under ...

First seen at the Govett-Brewster Art Gallery in 2004 in the exhibition Break that tested the impact of immigration on New Zealand art, London-based Sriwhana Spong is the Govett-Brewster’s 2018 Aotearoa New Zealand Artist in Residence.

EASIER records Tao Wells' adventures in the art world from the late-1980s until today, with critical and black humor effect.

Los Angeles-based, New Zealand artist Fiona Connor’s exhibition, Object Classrooms, tracks the movement and eventual disappearance of an artwork as it was moved around New Zealand in the mid-1970s.